Key Takeaways

• The Lapel Chokes From Everywhere 2 Miko Hytonen DVD is a Gi-focused submission instructional built around turning the lapel into a constant choking threat from guard, side control, mount, the back, and transitional spots.
• Miko Hytönen presents the material as a connected system rather than a random bag of tricks, which is a big part of why this release feels practical instead of gimmicky.
• The course looks best suited to grapplers who already understand positional control and want to add more efficient finishing routes to their Gi game, especially from common top-and-bottom positions.
• Its biggest strength is variety without total chaos: you get attacks with your own lapel, the opponent’s lapel, and several chains that connect classic chokes to more modern lapel control ideas.
• Rating: 9/10

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The Lapel Chokes From Everywhere 2 Miko Hytonen DVD is the kind of instructional that immediately appeals to a certain type of Gi grappler: the one who loves finding submissions in places other people stop looking. On the product page, Miko Hytönen frames it as a systematic way to turn the gi into a constant threat, with attacks available from guard, passing, side control, scrambles, mount, and the back rather than from one narrow specialist position.

That broad promise is what makes this release interesting right away. After going through what is listed for the Lapel Chokes From Everywhere 2 Miko Hytonen DVD, the biggest positive is that it does not read like a “watch me do weird lapel stuff” project.

Lapel Chokes for all BJJ Folks

Lapel attacks have always occupied a funny place in Gi Jiu-Jitsu. They are undeniably effective, but a lot of grapplers either underuse them or treat them like occasional trick submissions. The smarter approach is to see the lapel for what it really is: extra gripping material that can help you create pressure, kill posture, trap limbs, and tighten finishing angles without needing explosive movement.

That is why a good Gi lapel choke system can be so valuable. It changes the way you look at ordinary positions. Closed guard stops being just a sweep-or-armbar platform. Side control becomes more than pinning. Mount and back control become even nastier because the clothing itself adds another layer of control. When somebody can consistently weaponize fabric, they become harder to predict and much harder to defend late in exchanges.

The other reason lapel instructionals matter is that Gi players often get stuck learning isolated finishes instead of connected attacking logic. A strong lapel game works best when grips, traps, and chokes all feed each other. Based on the course description and chapter layout, that is clearly the lane this instructional wants to live in, and that is a good sign for anyone looking for a practical Gi submission instructional rather than a flashy compilation.

Who Is Miko Hytönen?

Miko Hytönen’s appeal as an instructor is not just that he is known online. He is a Brazilian Jiu-Jitsu black belt coach and a well-known BJJ personality whose technique content built a wide following, while an older profile from 2019 shows a useful bit of background: at that point he had been training for about seven years, was working out of Lilius & Barnatt in southern Spain, and said he had started leaning more heavily into Gi training and lapel work.

Miko is somebody whose public identity and technical interests have grown in the same direction over time. That matters for the Miko Hytonen instructional angle here. Plenty of instructors can demonstrate lapel chokes, but not all of them have spent years building a recognizable style around creative choking mechanics and teaching them in digestible ways. Lapel experimentation has long been a key part of his game, so this topic feels like a natural fit rather than a random product assignment.

Full Lapel Chokes From Everywhere 2 Miko Hytonen DVD Review

The Full Lapel Chokes From Everywhere 2 Miko Hytonen DVD reads like a structured Gi submission instructional for people who want reliable choke mechanics, recurring lapel control concepts, and smoother transitions between attacks. That is a much stronger sales point than novelty alone, and it is why this course deserves serious attention from the right audience.

Volume 1 – Attacking with Own Lapel

The first part of the Lapel Chokes From Everywhere 2 Miko Hytonen DVD opens with an intro and then moves straight into attacking the arm with your own lapel, an Ezekiel variation using the opponent’s lapel, lapel lasso attacks, and two triangle setups tied to lapel control.

That is a smart opening because it immediately establishes range: this is not just about one classic choke, but about using lapel control to create arm traps, neck threats, and transitions into other submissions.

What stands out here is the blend of direct finishing and setup-based thinking. Miko is not treating the lapel as a final flourish added at the very end of a sequence. He is using it earlier to shape the exchange.

Volume 2 – Attacking with Opponent’s Lapel

Part 2 shifts more clearly into guard-specific offense. The listed material includes combo attacks with the opponent’s lapel, such as closed guard lapel chokes and armpit twist strangles. In other words, the course doubles down on guard rather than rushing away from it after one section.

That is a good decision. Closed guard can become stale if all you do is chase the usual collar chokes and armbars, but lapel-assisted work gives it another dimension. It also suggests that the Lapel Chokes From Everywhere 2 Miko Hytonen DVD is at its best when it takes common Gi positions and makes them more annoying, more layered, and harder to read.

Voolume 3 – Lapel Arm Traps

The next volume moves to top pressure and includes lapel arm trap attacks. The standout or me is the lapel paper cutter. A lot of grapplers love lapel chokes from side control, but their game falls apart when the opponent starts moving. The inclusion of arm traps, step-over pressure, and a side-control-to-triangle transition suggests Miko is trying to keep the section dynamic instead of purely static. That makes Part 3 one of the more intriguing segments in the whole release.

Volum 4 – Mount & Back Attacks

The final part covers a lapel mount attack, and a bunch of related chokes, such as a lapel helicopter finish and a lapel bow-and-arrow variation, before the outro. That is a strong finishing stretch because it goes to two of the most decisive control positions in Gi Jiu-Jitsu: mount and the back.

What I like about this layout is that the Lapel Chokes From Everywhere 2 Miko Hytonen DVD does genuinely seem to earn its “rom everywhere framing. The course starts with more experimental-feeling guard and lapel-lasso ideas, then keeps widening into closed guard, side control, mount, and back finishes.

Strangling With the Cloth

The best way to use the Lapel Chokes From Everywhere 2 Miko Hytonen DVD is not to binge it once and then try to remember twelve grips during sparring. This looks like a course that rewards theme-based study.

Pick one zone at a time: first closed guard, then side control, then mount and back. For each zone, isolate one lapel entry, one direct choke, and one transition submission. That is how you make a system feel like part of your actual game rather than trivia.

It also helps to treat this material as positional enrichment rather than a wholesale reinvention. If you already play a decent closed guard, use the lapel sequences to strengthen what you do well. If you are a top player, add one or two lapel threats from side control instead of trying to become a full-time trickster overnight. Instructionals built around fabric manipulation tend to land best when they supplement a good base, not replace it.

For competitors, the upside is obvious: lapel attacks can slow people down, punish defensive shelling, and create finishes from otherwise stable positions. For hobbyists, the value is just as real. A well-built lapel game often lets you use timing and grip intelligence instead of speed.

That is one of the reasons the Lapel Chokes From Everywhere 2 Miko Hytonen DVD should appeal to more than just young, athletic Gi specialists.

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Who Is This For?

The product page explicitly points this course toward Gi practitioners looking to expand their submission arsenal, especially intermediate and advanced players who want a more strategic edge and who are tired of opponents shutting down traditional attacks. That sounds accurate.

Solid blue belts and above are probably the sweet spot. They tend to have enough positional awareness to understand where these lapel controls fit, but still have plenty of room to become much nastier with their finishing chains. Purple belts, brown belts, and black belts who enjoy specialized Gi attacks should have a lot of fun here too.

Brand-new white belts are the least ideal audience. Not because the material is impossible, but because lapel offense works much better when you already understand posture breaking, angle creation, and how not to lose dominant positions while hunting submissions. This is much more of a “make your Gi game more dangerous” course than a foundations course.

Pros & Potential Drawbacks

Pros:

• Broad positional coverage. The course includes guard, closed guard, side control, mount, and back attacks rather than living in one narrow corner of the Gi game.
• System feel instead of random tricks. The sales page repeatedly frames the material as a connected blueprint for control, pressure, and submission, and the chapter layout supports that.
• Good balance of direct chokes and setups. Arm traps, lapel lassos, triangles, paper-cutter variations, and back attacks give the material more depth than a one-note choke series.
• Useful for different game styles. Guard players, top-pressure players, and back hunters all seem to get something here.
• Instructor-topic fit is strong. Miko’s public identity and prior bio material both line up well with a lapel-heavy submission course.

Potential Drawbacks:

• Probably not ideal for true beginners. White belts without a decent Gi base may struggle to apply the details cleanly in live rounds.
• Breadth can cut both ways. Covering so many positions is exciting, but some buyers may prefer deeper specialization in one area rather than a wider submission map.

Lapel Nastiness

The Lapel Chokes From Everywhere 2 Miko Hytonen DVD looks like a strong release because it understands what makes lapel offense worthwhile in the first place. It is not just about catching flashy strangulations. It is about using the Gi as a control tool that quietly turns ordinary positions into finishing positions. Based on the product structure, that idea carries through the whole DVD.

Key Takeaways

• The Transforming Your Closed Guard Brian Glick DVD is a control-first closed guard instructional built around efficiency, timing, posture management, and linked attacks.
• Its strongest selling point is structure: the course moves from foundations and entries into specific systems.
• Brian Glick is a longtime John Danaher student, a black belt, and the head instructor at 555 Jiu-Jitsu in Brooklyn.
• This looks especially useful for smaller grapplers, methodical players, and anyone whose closed guard currently feels more reactive than offensive.
• Rating: 9/10

DOWNLOAD TRANSFORMING YOUR CLOSED GUARD BRIAN GLICK DVD  

The Transforming Your Closed Guard Brian Glick DVD looks like exactly the kind of instructional Brian Glick should be making at this stage of his teaching career. Rather than selling closed guard as a magical position that fixes everything on its own, the course is framed as a full system for making the position tight, efficient, and reliable regardless of size or athleticism.

A smart angle, because closed guard still gets taught badly in a lot of rooms: people learn a few isolated submissions, but not the layers of posture control, distance management, grip fighting, and transition logic that actually make the position work.

Glick’s pitch is that control comes first, attacks come second, and the whole thing should function through timing and leverage rather than strength. That is a very Danaher-adjacent philosophy, but it also fits Glick’s own reputation for clarity and practicality.

The Closed Guard – Again

Closed guard is one of those positions that never really leaves Jiu-Jitsu, even when trends swing hard toward leg locks, wrestling, and open guard movement. People love to call it old school, but that misses the point. Closed guard remains relevant because it gives the bottom player a direct way to slow tempo, limit passing lanes, and force the top player into a problem-solving exchange. When it works, it does not feel outdated at all. It feels suffocating. That is why an instructional like the Transforming Your Closed Guard Brian Glick DVD still has a real place in the market.

What matters with closed guard is not just whether you can lock your legs. It is whether you can manage posture, create angles, threaten sweeps, and keep the opponent in a cycle of reactions. The instructional page leans heavily into those exact themes: control before submission, posture breaking, seamless transitions, and high-percentage attacks without unnecessary complexity. In practical training, closed guard becomes dangerous when the top person never gets to settle into comfort, not when the bottom player desperately chases one submission at a time.

That also explains why the Transforming Your Closed Guard Brian Glick DVD seems especially suited to people who are not relying on speed or explosive inversion-heavy exchanges. Glick explicitly frames the material around precision, timing, and intelligent control, with a particular appeal to smaller grapplers and anyone looking for a technical edge.

Danaher’s Greatest Coaching Creation – Brian Glick

Brian Glick’s background matters a lot here because this sort of instructional lives or dies on trust. According to the course page, he is a black belt under John Danaher and one of BJJ Fanatics’ more established instructors. His academy site describes him as the head instructor at 555 Jiu-Jitsu in Brooklyn and says he has spent more than 25 years developing a structured, thoughtful, and safe approach to teaching Jiu-Jitsu.

Glick began Jiu-Jitsu in 2000, had no previous martial arts background, and was not an athlete before starting. He focuses on clarity, composure, and problem-solving rather than brute-force performance. Brian is one of John Danaher’s early black belts from the Blue Basement era, which gives extra weight to his systematic approach.

For this specific topic, that background is a plus. Closed guard instruction is usually at its best when taught by someone who clearly values positional mechanics over flashy improvisation. Glick’s coaching profile points in that exact direction: patient teacher, system builder, longtime Danaher student, and a coach whose style is meant to make high-level Jiu-Jitsu more accessible.

Transforming Your Closed Guard Brian Glick DVD Review

What stands out immediately is that the Transforming Your Closed Guard Brian Glick DVD is marketed less as a highlight reel of tricks and more as a structured answer to a common problem: too many grapplers end up using closed guard as a stalling shell instead of a genuine attacking hub.

Volume 1 – Foundations

The Transforming Your Closed Guard Brian Glick DVD opens with a foundations section built around knee pull, elbow awareness, heisting, and breaking grips. That is a strong start, because too many closed guard instructionals rush past the small mechanics that determine whether everything else will work later. If Glick spends real time on elbow awareness and grip breaking, that is exactly the kind of nuts-and-bolts material you actually need.

What I like here is the implied priority order. Before you start hunting submissions, you need to understand how to pull the opponent into your structure, how to recognize where their elbows and posture are vulnerable, and how to strip away the grips that let them feel stable. Not glamorous content, true, but it is the kind of content that makes the rest of the Transforming Your Closed Guard Brian Glick DVD more believable as a real system.

Volume 2 – Entries To Closed Guard

The entry section covers standing entries through Yoko Tomoe Nage and Uchi Mata, plus open guard entries against a partner with one knee up or a standing partner via Tomoe Nage.

This is a very welcome inclusion. A lot of closed guard material assumes you are already there, which is fine for drilling but not enough for actual rolling. If a course wants to be a system, it needs a bridge into the position, and the Transforming Your Closed Guard Brian Glick DVD appears to provide one.

I also like that the entries are not overly broad. Rather than trying to become an all-purpose takedown instructional, Glick seems to stay focused on practical routes that feed directly into his closed guard ecosystem. That makes the course feel tighter. You are not learning random standing techniques; you are learning how to arrive in the exact position the rest of the course is built around.

Volume 3 – Side Scissor System

The side scissor system looks like one of the real feature attractions of the Transforming Your Closed Guard Brian Glick DVD. The page breaks it into control and maintenance, then two attack series: one focused on taking the back and another on sweeping from underneath.

The attacks listed under it are varied enough to show range, but still connected enough to feel like a real positional family rather than a bag of disconnected options. From a review standpoint, this is exactly where the course seems to separate itself from basic closed guard products. A named subsystem like this shows that Glick is teaching how to stabilize a specific branch of the position before opening up rear strangles, rolling armbars, flower sweeps, pendulum sweeps, knee levers, and sumi gaeshi options.

Volume 4 – Top Lock System

The top lock section may be the other major selling point. It is organized into control and maintenance, then an armlock series and a trap triangle series. That is a smart structure because top lock is one of those closed guard tools that instantly makes your attacks feel more connected if you understand it properly.

The inclusion of stack counters and troubleshooting for losing the shoulder is especially reassuring, because those are exactly the moments where many armbar-heavy instructionals become unrealistic. The triangle branch also looks well chosen. Rather than stopping at a standard triangle, Glick includes reverse triangle and reverse legs kimura material, which suggests the Transforming Your Closed Guard Brian Glick DVD is trying to teach overlap and continuation rather than one-and-done finishing attempts.

Volume 5 –  Attacking Upright Posture

This part addresses one of the most important closed guard realities: eventually, plenty of people will posture up, kneel tall, or stand to escape. Glick splits this into sweeps against a kneeling partner and sweeps against a standing partner, which is exactly how most people should think about the problem.

The kneeling set includes several hip bump variations and follow-ups into clamp and pinch headlock scenarios, while the standing set includes scoop sweep, leg trap sweep, and K guard. Honestly, this is what might determine how useful the Transforming Your Closed Guard Brian Glick DVD feels in the gym.

A closed guard system is only as good as its answer to posture. If the top player can simply get upright and start disengaging, the whole thing falls apart. By building a full posture-response section, Glick is at least addressing the most common way people try to neutralize the position.

Volume 6 – Back Attacks And Submission Overlaps

The closing material is brief on paper, but strategically important. The page lists back attacks from the surrounding sequences, specifically rear strangle and ushiro sankaku, then highlights overlapping submissions like Juji Gatame variations, trap triangle and reverse triangle options, and the reverse legs kimura.

Even if this part is not the longest in the course, it shows a coherent design principle: different branches of the system keep feeding the same high-value finishes. They reinforce recurring threats from multiple angles, so you end up with stronger recognition during live rounds. In that sense, the Transforming Your Closed Guard Brian Glick DVD seems built less around volume and more around repeated exposure to a tight set of core attacks.

There’s Still a Place for the Closed Guard in Modern BJJ

In practical terms, the best way to use the Transforming Your Closed Guard Brian Glick DVD would be in phases. Start with the foundations and one entry pattern, then pair that with either the side scissor system or the top lock system for a few weeks of focused training. That is especially true for hobbyists.

If you try to absorb every listed attack at once, you will probably miss the real value, which is the control logic tying the material together. This also looks like the kind of course that should translate well to positional sparring. One round can begin with grip-breaking and knee-pull work. Another can start directly in top lock.

Another can start with the top player already upright, forcing you to solve the exact problems Glick lays out in that section. That kind of targeted training is where a system-based instructional usually proves its worth.

Competition players can get value here too, but not necessarily because this is ultra-sport-specific material. The appeal is that the closed guard can still be a very efficient tempo changer in training and in matches, especially for athletes who want to slow down bigger or scramblier opponents.

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Who Is This For?

The clearest audience for the Transforming Your Closed Guard Brian Glick instructional is smaller grapplers, methodical technicians, and anyone who wants a less chaotic bottom game. The product page says that outright, and the structure backs it up. This is not positioned as a wild, hyper-athletic course. It is positioned as a way to neutralize advantages, create pressure, and build reliable attacking chains.

I also think solid white belts, blue belts, and early purple belts would likely get a lot from it, provided they are willing to study patiently. Brand-new white belts may still need a coach helping them understand basic posture, angle changes, and arm positioning in live time, but the course does not seem overly abstract. In fact, its biggest selling point may be that it aims to simplify rather than overwhelm.

Who may not be the best fit? Grapplers who dislike closed guard on principle, or competitors who only want ultra-modern open guard layers, may not connect with it as strongly. Also, anyone looking for a highly detailed runtime-heavy mega-course might be disappointed if they expect a giant encyclopedia, because the product page emphasizes system headings and outcomes more than exhaustive runtime detail.

Pros & Potential Drawbacks

Pros:

• Excellent structural clarity. The course is laid out in a logical sequence from foundations and entries into specific attacking subsystems and posture responses.
• Strong focus on control before submission. That usually makes instruction more usable in live rolling than products built around isolated finishes.
• Good fit for smaller grapplers. Glick explicitly frames the material around leverage, timing, and precision rather than athleticism.
• Promising subsystem design. The side scissor system and top lock system both look like real game-building modules, not random chapter clusters.
• Useful answers to upright posture. Sweeps against kneeling and standing partners are essential if you want a closed guard that survives contact with experienced passers.
• Credible instructor for this topic. Glick’s long Danaher lineage and teaching reputation fit a detail-driven, principle-based closed guard course.

Potential Drawbacks:

• The product page does not disclose runtime. That makes it harder to judge depth versus price compared with other instructionals.
• Less ideal for people who barely use closed guard at all. The system looks strong, but it still assumes you want closed guard to be a real part of your game.

Back to Basicss

The Transforming Your Closed Guard Brian Glick DVD looks like one of those instructionals that should age well. It is not trying to win you over with chaos or novelty. It is trying to make your closed guard tighter, smarter, and more dependable through structure, posture control, and linked attacks. For a lot of grapplers, that is far more valuable than another course full of cool-looking moves they never quite land.

Key Takeaways

• A three-part instructional built around using the Kimura as a control system, not just a submission.
• The strongest material focuses on chaining reactions into back takes, armbars, sweeps, and positional upgrades.
• The “TV position” is clearly the backbone of the set, giving the course a strong internal structure rather than a loose collection of moves.
• This is especially useful for grapplers who already grab Kimuras often but don’t always know how to convert them into bigger outcomes.
• The main limitation is that it stays tightly centered on one attacking framework, so it is less appealing if you want a broad submission encyclopedia.
• Rating: 8.5/10

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The Kimura Trap Dinu Bucalet DVD is the kind of instructional that will immediately make sense to anyone who has ever clamped onto a Kimura grip, felt they had something dangerous, and then watched the whole exchange fall apart. That is the gap this course tries to close. Rather than selling the Kimura as a magic tap machine, Dinu Bucalet presents it as a controlling framework that can keep you one step ahead through transitions, counters, and scrambles.

A lot of Kimura material in Jiu-Jitsu either gets too submission-hungry too quickly or turns into a pile of isolated follow-ups. Here, the pitch is much more practical: secure the grip, understand the mechanics, and funnel your opponent into a series of worse and worse decisions. If that idea appeals to your game, the Kimura Trap Dinu Bucalet DVD has plenty to work with.

The Most Versatile BJJ Position

The Kimura has always occupied a funny place in Jiu-Jitsu. Everyone knows it as a shoulder lock, but experienced grapplers usually end up valuing it even more as a steering wheel. Once the grip is locked and your body positioning is right, the Kimura becomes a way to break posture, freeze movement, expose the back, force rolls, and climb into stronger positions.

That is why a good kimura trap system tends to age well. It is not dependent on speed alone, and it does not require you to out-muscle people if the mechanics are sound. It works because the trapped arm limits your opponent’s options in a very direct way. They can posture, roll, hide, or turn, but all of those reactions can be anticipated and punished if the attacker understands the sequence.

Dinu’s instructional seems to understand that central truth. The goal is not simply to squeeze harder on the finish. The goal is to make the Kimura grip the beginning of the conversation, not the end of it. That is a much smarter way to teach the position, and it makes the material more useful for long-term game building.

Romania’s MMA Fighter of the Year Dinu Bucalet 

Dinu Bucalet brings a pretty credible mix of experience to this topic. He is a Romanian-born BJJ black belt who received his black belt from Nicholas Brooks in 2019, and his background extends beyond pure grappling into MMA, kickboxing, boxing, and coaching. That wider combat sports lens matters, because it usually produces instructors who think in terms of control, pressure, and transitions rather than just isolated taps.

His competitive background also gives him some added legitimacy here. He has had strong grappling results, including an IBJJF European No-Gi title at brown belt, and made his professional MMA debut in 2013. On top of that, he was named Romania’s MMA Fighter of the Year for 2013. That does not automatically make every instructional great, of course, but it does suggest that he has spent a lot of time making upper-body attacks work in live settings.

Perhaps just as important, Bucalet has clearly become a prolific teacher. That tends to show in the structure of a course like this. The material does not read like a random dump of favorite moves. It reads like a coach trying to organize a repeatable attacking framework for everyday grapplers.

Detailed Kimura Trap Dinu Bucalet DVD Review

The Kimura Trap Dinu Bucalet DVD is split into three volumes, and that structure is one of its big strengths. It moves from a central control hub into finishing mechanics, then into top-side attacking and troubleshooting. That progression makes the course easy to follow:

Volume 1 – Introduction of the Kimura Trap

The first volume of the Kimura Trap Dinu Bucalet DVD is built around the ingenious “TV position”, which is clearly the anchor of the whole set. Bucalet does not just mention it and move on. He drills it, returns to it repeatedly, and shows how it opens into back takes, armbars, and additional options depending on the opponent’s reactions.

That matters because Volume 1 gives the instructional an identity. Bucalet gives us a recognizable control platform. The repeated focus on entries, including realistic entries and entries from distance, also helps. It suggests he is not only concerned with what happens once everything is already perfect, but with how regular grapplers actually reach the position.

This is also where the TV position BJJ theme becomes the biggest selling point of the entire course. If you like instructionals that revolve around one strong organizing concept, the first volume is probably the part you will remember most.

Volume 2 – Finishing Mechanics

Part 2 is where the Kimura Trap Dinu Bucalet DVD becomes less about access and more about authority. Bucalet shifts into finishing mechanics, how to lock the position down from the top, how to manage the grip from half guard, and how to deal with one of the most common headaches in Kimura attacks: an opponent who starts posturing and fighting the lock intelligently.

This section looks especially useful because it is not pretending the Kimura happens in a vacuum. People resist. They straighten posture, hide their arm, and try to turn the exchange into a scramble. Bucalet responds by building options off those reactions rather than treating them as annoying interruptions. That is exactly how this material should be taught.

The Tarikoplata inclusion is a nice touch too, because it expands the attack tree without making the course feel bloated. The standing material and the Sumi Gaeshi variation also help round out the volume. That makes the Tarikoplata transitions and related follow-ups feel earned rather than decorative.

Volume 3 – Attacking the Arm On Top

The final section of the Kimura Trap Dinu Bucalet DVD leans into top-side problem-solving. Bucalet covers attacking the arm on top, dealing with single-leg situations, troubleshooting against counters, what to do when you get stuck, and how to turn the same family of controls into crucifix attacks, reverse triangles, back finishes, and advanced back takes from the “TV position”.

This is a smart closing volume because it acknowledges a very real truth about Kimura traps: they often become messy. You do not always get a clean, textbook finish. Sometimes the opponent turns, bases, rolls, hides, or makes the position awkward. A good instructional has to help you survive those moments, and this one appears to do that.

The back-control material is also a strong fit for the overall theme. If the first volume taught the main control hub and the second explained the mechanical bite behind the attack, the third shows how to keep converting those same reactions into dominant outcomes. That gives the Kimura Trap Dinu Bucalet DVD a satisfying sense of progression from setup to enforcement to cleanup.

Can’t Roll Without Kimuras

Where this course should help most is in positional sparring and system-building. The smartest way to use it would be to isolate a few recurring nodes rather than trying to absorb every option at once. Start with the TV position entries and retention, then pair them with one back take, one armbar route, and one answer for a defending opponent who postures hard or tries to roll out.

That kind of focused study is where the Kimura Trap Dinu Bucalet DVD looks most valuable. It is not really a watch once and instantly become dangerous kind of release. It is more of a framework you can plug into specific rounds.

Give yourself Kimura-only rounds from half guard. Start in the “TV position” and work to the back. Start on top and hunt the trapped arm while your partner’s goal is only to free it. That is how you turn this into muscle memory.

Long term, this can help both offensive confidence and transitional awareness. Even if the Kimura never becomes your signature finish, using it better as a control system can upgrade your guard attacks, top pressure, scramble reactions, and back-taking instincts.

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Who Is This For?

The Kimura Trap Dinu Bucalet DVD should appeal most to blue belts, purple belts, and above, especially grapplers who already understand the basic Kimura grip but want to turn it into a reliable attacking web. It also makes sense for coaches who want a more organized way of teaching Kimura-based decision trees instead of isolated techniques.

It should fit well for grapplers who like upper-body control systems, people who attack from half guard, guard, or front-side top positions and anyone who enjoys chaining submissions into positional upgrades rather than forcing one finish.

It is less ideal for brand-new white belts who still struggle with basic control and body positioning, those looking for a broad fundamentals course rather than a focused attacking system, and folks who only want quick, standalone submissions without studying transitions.

Pros & Potential Drawbacks

Pros:

• Strong conceptual spine: The course revolves around a clear core idea, which makes it easier to remember and apply.
• Good reaction-based logic: Bucalet does not stop at “here is the lock.” He keeps showing what to do when the opponent starts resisting intelligently.
• Useful mix of finishes and upgrades: Back takes, armbars, crucifix options, reverse triangle routes, and standing transitions give the system real depth.
• Solid troubleshooting emphasis: The later material looks especially practical for the ugly moments where most Kimura attacks stall out.
• Coach-friendly structure: The three-part layout is clean and easy to convert into drilling blocks or positional rounds.

Potential Drawbacks:

• Narrower than a full submission course: If you want a broad attacking encyclopedia, this stays tightly focused on one family of control.
• Very system-heavy by design: People who prefer quick-hitting technique collections may find it a bit more layered than they want.

Modern Kimura Traps

The Kimura Trap Dinu Bucalet DVD succeeds because it treats the Kimura like an ecosystem rather than a single move. That instantly makes it more relevant to real rolling. Instead of obsessing over one finish, Bucalet shows how the grip can govern movement, create reactions, and open doors to better positions and cleaner submissions.

Key Takeaways

• The Ezekiel to Glory Dinu Bucalet DVD is a three-part closed guard instructional built around turning the Ezekiel choke into a full submission network rather than a one-off trick.
• It focuses on posture control, pressure-based finishing, grip strategy, Gi and No-Gi adaptation, and chaining the Ezekiel into armbars, triangles, and back takes.
• The structure is broader than the title suggests, because Bucalet also spends time on anti-passing details, defensive awareness, wristlocks, common counters, and getting to closed guard safely.
• This looks best suited to grapplers who already play closed guard or want to make it far more threatening without relying on speed or flexibility.
• Rating: 8/10

EZEKIEL TO GLORY DINU BUCALET DVD DOWNLOAD

The Ezekiel to Glory Dinu Bucalet DVD has a very clear pitch: make closed guard dangerous again, and do it through pressure, posture-breaking, and a submission chain built around the Ezekiel choke. That is a smart angle.

Too many closed guard instructionals either drift into generic attack from everywhere territory or lean so hard into flexibility and explosiveness that half the audience is left watching rather than learning. Here, the sales page positions the system as one built on control, calculated pressure, and predictable reactions, which is exactly how a strong closed guard should feel when it is working well.

The Ezekiel Choke is Fun!

There is a reason the closed guard never really disappears, even when the sport gets obsessed with leg locks, false-reap dilemmas, and the latest open guard micro-trend. Closed guard solves a very old problem in Jiu-Jitsu: how do you keep someone close enough that they have to deal with your grips, hips, and upper-body threats all at once?

When used well, it forces the top player into a small space where every posture change matters. That is also why the Ezekiel choke is such an interesting anchor for a guard system. It is a choke that punishes people for assuming they are safe just because they are on top.

It does not need a ton of space, it creates urgency fast, and even when it does not finish cleanly it tends to make people expose arms, neck, and posture. In practical terms, that makes it ideal as a chain starter.

The catch, of course, is that the Ezekiel can become low-percentage if it is taught as a surprise move instead of a structured attack. That is where this instructional seems to make its case. Rather than promising magic, it appears to emphasize the boring-but-important things that make any closed guard submission work: posture denial, grip mechanics, angle discipline, and forcing reactions instead of chasing them.

About Dinu Bucalet

Dinu Bucalet is a Romanian-born BJJ black belt who received his black belt from Nick Brooks in 2019. He is also an MMA fighter and coach with a background in boxing and kickboxing, plus a certified physical trainer.

An Ezekiel choke-centered closed guard system works best when it is taught by someone who understands pressure, hand fighting, posture breaking, and how to make compact attacks work under resistance. Put together, that gives the instruction a believable teacher profile. He is not just a guy with a choke. He reads like someone who has spent a lot of time thinking about pressure and how to funnel people into bad reactions.

Bucalet’s results also include titles such as ADCC Spanish National Champion in 2022, Paris Open IBJJF No-Gi champion in 2022, and IBJJF European No-Gi Brown champion in 2018. One more detail adds a bit of flavor here: Bucalet was named Romania’s MMA Fighter of the Year for his 2013 results, when he reportedly went 3-0 in professional MMA with all wins coming by first-round finish.

Ezekiel to Glory Dinu Bucalet DVD Review

What I like straight away is that this does not appear to treat the Ezekiel as a novelty. The promise is not here is one sneaky choke. The promise is that the choke becomes the centerpiece of a larger attacking framework that includes posture control, traps, chained finishes, and ways to keep the top player from settling into safe defensive habits.

Volume 1 – What Not To Do

The first volume of the Ezekiel to Glory Dinu Bucalet DVD looks like the real foundation layer. The chapter titles are not glamorous, but that is a good sign. Bucalet opens with posture themes, what not to do, what to stop the opponent from doing, and then moves into dealing with specific passing problems like the closed guard smash pass and the Sao Paulo pass, while also covering long legs, high hips, and lapel use.

That tells you a lot about the teaching philosophy. Before he wants you hunting Ezekiels, he wants you understanding the kind of upper-body behavior that makes closed guard function at all. That is exactly the right order. A lot of people fail from closed guard not because their submissions are bad, but because they never really establish the conditions needed for good offense.

I also like that this section seems to address body-type variables early. Dealing with long legs and high hips is the sort of topic that usually determines whether an instructional feels practical or generic. Closed guard always changes a bit depending on your build and your opponent’s posture habits.

Volume 2 – Throwing in Wristlocks

Volume 2 is where the Ezekiel to Glory Dinu Bucalet DVD gets more eclectic. The chapter list includes wristlocks from a bunch of closed guard scenarios. On paper, that can look slightly scattered. In practice, I think it makes sense if you view this volume as the problem-solving and trap-building section.

Closed guard offense becomes much more dangerous once you can punish defensive hands, trap an arm cleanly, and remain calm when the top player starts firing back with stack pressure, guillotines, or collar chokes. The wristlock angle is especially interesting. Even if you never become a big wristlocker, the threat alone can make people hide their hands badly, which opens cleaner access to neck attacks and upper-body isolation.

The Kimura-to-arm-trap connection also fits the main theme well. It gives the system another way to create the reaction loop that a strong Ezekiel game needs. This is probably the least purely on-brand volume, but it may end up being the most useful for real rolling. Not every match turns into the clean attacking picture you want. Good instructionals account for the mess.

Volume 3 – Ezekiel Time

Volume 3 is where the Ezekiel to Glory Dinu Bucalet DVD cashes the check the title writes. The chapter titles move directly into “It’s Ezekiel Time” in two parts, then cover what happens when the opponent blocks the choke, combining attacks, posturing up, advice for competing, takedowns that put you in closed guard, and what to do if someone pulls closed guard.

That is a very sensible finishing volume. By this point, the instructional seems to assume you understand the platform and the reactions. Now the Ezekiel gets expanded into a true decision tree. If a closed guard instructional does not address the obvious defensive response, it is not really teaching a system.

I also like the inclusion of competitive advice and entries into closed guard. Those topics help the material travel from theory into actual match use. A lot of players love closed guard conceptually but never get there consistently under pressure.

Giving attention to takedowns that land you there, and to situations where the other person pulls closed guard, makes the course feel a bit more complete and less like a pure submission seminar.

Start Getting More Ezekiels

The Ezekiel to Glory Dinu Bucalet instructional looks best used in blocks rather than binged once and forgotten. Volume 1 should probably become your drilling and positional-sparring template for a few weeks: posture breaking, foot and hip engagement, and anti-pass reactions first. Then go tackle the problem-solving layer from Volume 2, and only after that try the final part stuff as your main live-round focus.

For most grapplers, the most realistic way to use this is to build one reliable entry into the Ezekiel, one secondary trap when the opponent blocks, and one fallback attack when posture changes.

That is enough to make your closed guard feel radically better without trying to memorize every chapter at once. Coaches will probably like it too, because the product page explicitly frames it as something useful for structured guard curricula, and the chapter layout supports that idea.

EZEKIEL TO GLORY DINU BUCALET DVD AVAILABLE HERE

Who Is This For?

The Ezekiel to Glory Dinu Bucalet DVD should appeal most to blue belts and up, along with ambitious white belts who already understand the basic job of closed guard. The sales copy also points toward competitors, smaller practitioners who rely more on technique than strength, coaches, and anyone tired of having their closed guard stalled out.

I do not think brand-new white belts will get the full value immediately, mostly because posture management and reaction chaining make more sense once you have already failed with closed guard a few hundred times. But for the average hobbyist who likes upper-body attacks, and for competitors who want a tighter, pressure-first submission hub from bottom, this looks highly relevant.

Gi-only players should still find value because the system includes Gi and No-Gi variations. Pure open-guard specialists may not love the style, but that is more a matter of taste than quality. If you dislike closed guard on principle, this course probably will not convert you overnight. If you already believe in it, though, it looks like a smart expansion.

Pros & Potential Drawbacks

Pros:

• Strong central idea: the Ezekiel is treated as a system anchor, not a gimmick.
• Good foundational emphasis on posture, frames, pressure, and anti-passing work before the submission layer.
• Includes Gi and No-Gi adaptation, which widens the audience.
• The chapter structure suggests realistic troubleshooting instead of fantasy-technique collecting.
• Useful for both individual study and curriculum building, especially for coaches who teach closed guard in stages.

Potential Drawbacks:

• Part 2 may feel a bit broad if you expected wall-to-wall Ezekiel content from start to finish.
• Grapplers who rarely play closed guard may need time before the system feels natural.

It’s Ezekiel Time!

The Ezekiel to Glory Dinu Bucalet DVD looks like a well-thought-out closed guard instructional with a narrow title but a broader, more useful structure underneath. It promises a pressure-based Ezekiel system, and the chapter list suggests Bucalet understands that such a system only works when it is supported by posture control, arm trapping, defensive awareness, and clear reactions.