Key Takeaways

• Samurai Submissions Kenta Iwamoto DVD is a tight, get-to-the-point submission system built around controlling turtle and punishing the moment someone thinks they’re safe.
• The biggest strength is the sequence: control and mat returns first, then fast front headlock finishes, then multiple entries into the front headlock from standing/top/bottom.
• Volume 2 is the engine room—short chokes, high-ground control, and strong finishing options that reward clean positioning more than brute force.
• It’s compact and usable, but it’s also pretty No-Gi flavored, and a couple of options can be ruleset-dependent if you compete.
• Rating: 8.5/10

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Turtle is one of those positions that looks defensive on paper, but feels like a coin flip in real rounds. Sometimes it’s a safe shell. Sometimes it’s just “I’m about to give up my neck because I’m tired.” That’s the space Samurai Submissions Kenta Iwamoto DVD lives in: the moment your opponent turns in, clamps up, and tries to stall the chaos into a reset.

Kenta Iwamoto’s approach isn’t about showing you 40 flashy ways to attack turtle. It’s more like a short, sharp blueprint: control the turtle reliably, shut down the common escape, and funnel everything into finishes that come on fast. The course structure reflects that mindset—first, you learn how to hold the position and return people to the mat. Then you get the front headlock submissions (and the high ground layer). Finally, you get practical ways to arrive at the front headlock from different scenarios, not just after a scramble.

If you’re tired of opponents winning by curling up and surviving, this instructional is basically a permission slip to treat turtle as an attacking position again—without turning every exchange into a messy back-take lottery.

Beating Turtles

A lot of gyms teach turtle in two extremes: either never turtle (because back exposure), or turtle is fine (because you can granby, sit-out, wrestle up, and keep scrambling). The truth is turtle is a transition hub—and whether it’s safe depends on who’s better at controlling the space around the hips and shoulders.

From the top player’s side, turtle attacks usually fall into a few families:

• Riding and returning: breaking posture, forcing the hands to post, and repeatedly dragging the opponent back down when they try to stand.
• Go-behinds and seatbelt control: taking the angle so you’re not directly behind their spine, and using that angle to stop rolls and sit-outs.
• Front headlock funnels: creating a connection to the head/arm that leads into guillotines, D’arces, kata gatame variations, and back exposure when they defend.
• “High ground” control: staying above the shoulders and using your weight and grips to make their turtle feel like quicksand.

What makes Samurai Submissions Kenta Iwamoto DVD interesting is that it doesn’t treat turtle as its own isolated universe. It treats turtle as the front end of a submission chain—where the real payoff is the front headlock and the control layers that prevent the classic “I’ll just roll out” escape pattern.

The New Generation: Kenta Iwamoto

Kenta Iwamoto is one of the more unusual new generation grapplers because his base is not traditional Jiu-Jitsu—it’s judo. He was already a judo black belt before he fully committed to Brazilian Jiu-Jitsu, and his background shows up in how he thinks: tight body control, efficient returns, and a preference for making your opponent carry weight instead of “winning positions” with frantic movement.

Competition-wise, he’s best known for consistently qualifying through the ADCC pathway, including multiple wins at the ADCC Asia & Oceania Trials (2019, 2022, 2023), and he’s also posted notable results in No-Gi at the elite level. Over time, he’s trained and prepared with high-level rooms, including time with the B-Team training environment, which helps explain why his instructional blends wrestling-style front headlock mechanics with the kind of positional suffocation you’d expect from a top submission grappler.

He’s also spoken publicly about the intensity of his early martial arts experience in Japan, including harsh treatment during his youth judo training. You don’t need that context to use the material—but it does add a layer of understanding to why his style is so focused on pressure, control, and no wasted motion.

Detailed Samurai Submissions Kenta Iwamoto DVD Review

A quick structural note: this is a three-volume course that’s surprisingly compact. It’s not trying to be an encyclopedia. Samurai Submissions Kenta Iwamoto DVD is closer to a system install you can actually finish in a week, then revisit in targeted spots.

Volume 1 – Turtle Control

The opening volume is all about earning the right to attack. Instead of jumping straight into chokes, Kenta builds the base: controlling turtle using a go-behind approach, breaking down the position with a gut-wrench style of pressure, and dealing with one of the most common get out of jail buttons—the granby roll.

What I like here is that the control is presented as a sequence, not as isolated tips. You see how the initial angle and hip control leads into stable holds—like the double under bodylock and seatbelt control—so you’re not constantly chasing. The efficient mat returns section is also a big deal for anyone who rolls with athletic opponents.

Plenty of turtle systems look great until the other person stands up and turns it into a wrestling scramble. Mat returns are what separate I almost had it from you’re stuck here now. If you already have good back takes but struggle to keep people grounded during turtle transitions, Volume 1 is the glue that makes the rest of the system work.

Volume 2 – Darces & High Ground Attacks

Volume 2 is the money volume, and it’s where Samurai Submissions Kenta Iwamoto DVD becomes what it claims to be: a finish-first system. The focus shifts to front headlock submissions, starting with a seated kata gatame setup and moving into an arm-in guillotine and a guillotine dilemma that forces reactions. From there, Kenta goes into a short D’arce sequence—covering arm configuration, positioning details, and finishing.

Then you get the high ground layer, which is basically the control hub for the volume. He breaks down guidelines and grip choices (locked hands vs open hands), and then uses that control to create back-take and submission threats. Notably, the content includes a back take leading into a twister option, plus a full nelson using the legs, and a hammerlock solution for opponents who keep their elbows welded tight.

The volume finishes with back triangle requirements/benefits and a back triangle entry that uses Kimura pressure and posting. That’s a smart choice, because it keeps the system consistent: you’re not just hunting a single choke. You’re building a small web of threats where defending one line exposes the next.

The only caveat: a couple of these tools are ruleset-sensitive (twister especially), and some require good judgment in training. But as a conceptual package—front headlock to high ground to back exposure—this volume is excellent.

Volume 3 – Standing

The final part of the Samurai Submissions Kenta Iwamoto DVD answers the practical question most instructionals skip: “Cool… but how do I get there against someone who doesn’t just turtle on command?”

Instead of staying stuck in turtle-only scenarios, Kenta shows multiple ways to arrive at the front headlock from standing exchanges and from live grappling positions. On the standing side, he covers close-range entries off over-under and underhook situations, then troubleshoots the front headlock with a kosoto-style angle.

He also includes a far-range overtie snap, a detail on snapping hands using your head, and an arm-drag route into the same attacking hub. From the ground, you get a front headlock connection from top via a knee cut scenario, and from bottom via heisting—again reinforcing that this is meant to be used in real rounds, not just in idealized turtle positions.

Looking Beyond Back Takes

If you want this system to show up in sparring quickly, don’t try to “learn the whole thing” at once. Use a simple progression to get the most out of this Turtle Kenta Iwamoto DVD:

Turtle control rounds only. Start every round in turtle with you on top. Your only goal is to keep them grounded and prevent the granby roll escape. Think Volume 1: go-behind angle, gut-wrench pressure, seatbelt/double under stability.

Front headlock finishing reps under fatigue. Start from front headlock and rotate through the arm-in guillotine, short D’arce, and the kata gatame entry. Keep the reps short, then finish with positional sparring from the same spot.

Add the high ground layer. This is where the system becomes “sticky.” Work the high ground controls and use them to force a reaction—then choose the appropriate finish (or back exposure).

Integrate entries. Use Volume 3: start from standing ties, then start from a knee cut exchange, then start from bottom heisting. Your goal isn’t to hit everything—it’s to find two reliable pathways into your best front headlock.

Done this way, Samurai Submissions Kenta Iwamoto DVD becomes a real module in your game: a repeatable response when someone turtles, plus a way to manufacture the front headlock when they don’t.

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Who Is This For?

This Kenta Iwamoto instructional is best for solid white belts through advanced players, with the sweet spot being blue to brown—people who already understand basic control, and now want a sharper finishing toolkit.

It’s a particularly good fit for gapplers who like front headlock attacks and want a clearer chain from control → submission, anyone who constantly deals with opponents who stall in turtle instead of engaging and competitors who value fast finishes and hate long, coin-flip scrambles.

Brand-new white belts who don’t yet have the control sensitivity to keep turtle stable and pure Gi specialists looking for Gi-grip-specific turtle attacks (this material is presented with a very No-Gi grip logic) might not love it, though.

If your current turtle plan is basically hope they give me hooks, Samurai Submissions Kenta Iwamoto DVD gives you a more reliable alternative: win the control first, then take what they expose.

Pros & Potential Drawbacks

Pros

• Clear system order: control first, then submissions, then entries—so it’s easy to build into training blocks.
• High-percentage focus: arm-in guillotine, short D’arce, and kata gatame-style attacks are proven tools, not gimmicks.
• Practical entries beyond turtle: standing and ground-based pathways make the material usable in real rounds.
• Mat returns and granby counter included: huge for keeping athletic scramblers from turning turtle into a reset.
• Compact runtime: short enough to finish, rewatch, and actually drill instead of collecting dust in your library.

Potential Drawbacks

• Some tools are ruleset-dependent: twister-style options won’t fit every competition format, and you’ll need discretion in training.
• Finishing bias over position collecting: if you prefer slow back control and methodical point-scoring, this course leans the other way.

Break the Shell! 

If you’ve ever felt like turtle is the opponent’s time-out button, this is a strong antidote. The Samurai Submissions Kenta Iwamoto DVD does a good job of reframing turtle as an attacking opportunity—as long as you’re willing to prioritize control and angle before you chase the neck.

The course is compact, but the content is high utility: Volume 1 makes you better at keeping people pinned in turtle, Volume 2 gives you the submission chains and high ground control that create real finishing pressure, and Volume 3 provides realistic ways to access the front headlock hub from multiple contexts.

Key Takeaways

• A mechanics-first straight ankle lock instructional that’s built around why finishes work, not just how to copy a grip.
• Strong emphasis on alignment (hips, knee direction, pressure), plus clear decisions for belly-up vs belly-down finishing.
• Practical coverage of the positions people actually end up in: Outside Ashi, 50/50, and even top-position ankle locks.
• Best suited for grapplers who want a “reliable finisher” footlock that holds up under resistance, not a one-time surprise tap.
• Rating: 9/10

DOWNLOAD: THE STRAIGHT FOOTLOCK JAKE O’DRISCOLL DVD

The straight footlock has a weird reputation in Jiu-Jitsu. Half the room treats it like a “white belt submission,” while the other half has that one training partner who makes it feel like your ankle is about to file for divorce. The difference is almost never strength—it’s mechanics, control, and decision-making.

That’s exactly why the Straight Footlock Jake O’Driscoll DVD is such an interesting release. It’s positioned as a system that strips the ankle lock down to its essentials and rebuilds it into something repeatable: consistent pressure, fewer escape windows, and clearer finishing routes depending on how the opponent reacts.

An Honest Submission

A straight footlock (straight ankle lock) is one of those submissions that exposes how honest your fundamentals are. If your control is loose, the opponent’s knee line slips. If your alignment is off, you end up cranking your own arms while their foot rotates into safety. If you chase the tap instead of building the break, you create the scramble that lets them heel-slip, stand, or counter-leg-lock you.

At a high level, the submission has three jobs:

1. Control the leg and isolate the escape routes – This is where people lose the plot. They “have the foot” but don’t actually own the knee line, hip position, or the opponent’s ability to rotate.

2. Create a structure that turns pressure into breaking force – The straight footlock isn’t magic. The breaking pressure comes from correct alignment—your body acting like a lever system—rather than you curling your arms and praying.

3. Make a smart finishing choice based on the opponent’s reaction – Belly-up finishes can be clean and fast, but belly-down finishes often become necessary when opponents are savvy and start clearing their knee or rotating. The best finish is the one that matches the position you’ve truly secured—not the one you wanted in your head.

   What separates a “beginner ankle lock” from a competition-grade one is how well you manage those three jobs while the other person is actively trying to ruin your day.

Details Matter: Coach Jake O’Driscoll

Jake O’Driscoll is an Australian black belt and the head instructor at Essence Brazilian Jiu-Jitsu, where he’s built a reputation as a detail-heavy coach with a strong competitive room. He’s also widely known for coaching high-level athletes, including ADCC champions and medalists, which matters here because the modern leg lock game punishes sloppy teaching.

In other words: he’s not teaching the straight footlock like an isolated move. He’s teaching it like a reliable part of a bigger leg-entanglement ecosystem—where opponents are aware, defensive, and ready to counter. That coaching context shows up in how this material is organized: concepts first, then positional applications, then the messy reality positions like 50/50 and finishing from top.

The Complete Straight Footlock Jake O’Driscoll DVD Review

If your straight ankle lock usually feels like you’re almost there, or you finish some people but can’t finish the good guys, this is the kind of instructional that tends to fix the real problem: the small details you didn’t realize were non-negotiable.

Volume 1 – Footlock Mechanics

Volume 1 starts exactly where good footlock instruction should start: concepts and finishing mechanics before you get lost in cool variations. The early structure is all about understanding finishing positions and the breaking mechanics that actually create pressure. Then it gets specific in the right ways—details like the direction of the knee, whether you should flare or squeeze, and how your finishing choice changes depending on belly-up vs belly-down alignment.

A particularly useful inclusion here is the attention to rules and legality. Regardless of your gym culture, straight ankle locks live inside a world of ruleset differences, and being clear about what’s allowed (and what puts you in danger) is part of building a footlock you’ll actually use in competition.

Volume 2 – Outside Ashi

Part 2 shifts into positional application through Outside Ashi ankle locks and inside-hip positioning—basically, the range where most people either become dangerous or get countered. The structure here is tight: establish the position, revisit breaking mechanics from a new angle, then move into finishing routes.

This is also where you start seeing the system part more clearly, because the finishes aren’t presented like random tricks. They’re presented like answers to predictable reactions: how the opponent tries to rotate, how they hide the heel, how they clear the knee line, and what finishing option matches the control you have.

Volume 3 – Developing the 50/50

The next volume is the one most grapplers will be grateful for, because it tackles 50/50—the position that turns a lot of leg lockers into philosophers. The instructional frames 50/50 footlocks with the right mentality first, then goes into the practical requirements: locking the legs correctly, bringing the knee to the middle, setting up the footlock, and then finishing from multiple body orientations (inside-hip, belly-down, flat back, backside, etc.).

This is a smart design choice. In 50/50, the straight footlock only works consistently if your control beats the opponent’s ability to rotate and hand-fight. The variety of finishing angles matters because opponents won’t sit still and give you the perfect look.

You also get reverse ankle lock material from backside configurations, plus a discussion of heel hook options. Even if your primary goal is the straight footlock, acknowledging adjacent threats changes how you finish—because the opponent’s defensive choices often expose other options (or force you to respect theirs).

Volume 4 – Footlocks From Top

The Jake O’Driscoll straight ankle lock instructional ends with a fun twist: straight footlocks from top. A lot of people treat ankle locks as something you hunt from leg entanglements only, but top-position footlocks pop up more than people admit—especially when opponents are building guards, framing, or trying to recover from half guard and open guard situations.

This volume covers the why of finishing on top, then deals with ruleset differences again (which is crucial here), and then moves through scenarios like top half guard, split squat positioning, leg drag contexts, and De La Riva situations.

What I like about this section is that it makes the straight footlock feel less like a niche leg-locker weapon and more like a submission you can threaten while passing. That’s a big deal for Gi players and pressure passers who want lower-body submissions without turning every exchange into a full leg lock shootout.

A Complete Footlocks System

The fastest way to get value out of the Straight Footlock Jake O’Driscoll DVD is to treat it like a mechanics project first and a submission project second. Pick one primary finishing configuration (belly-up or belly-down) and rep it with a partner who gives you realistic, progressive resistance. Your goal isn’t the tap—it’s repeating the same alignment every time.

Start rounds directly in Outside Ashi and in 50/50. Give the defender one main goal (clear knee line and stand/rotate) and give the attacker one main goal (keep control and finish clean). Short rounds, lots of resets. Then, focus on chaining: if the opponent rotates, you choose the finishing orientation that matches the control you still have. This is where your footlocks stop being “a move” and become a reliable part of your game.

This is also a good instructional for coaches, because it gives you a way to teach the straight ankle lock without making your room reckless. If you want people to train leg locks safely, you need them to understand control and alignment—not just yank harder.

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Who Is This For?

This is one of those instructionals that genuinely works across levels, but in different ways:

• White belts / new grapplers: You’ll get the most benefit from the conceptual foundation—why your footlocks fail, how to apply pressure without spazzing, and how to think about finishing positions.
• Blue to purple belts: This is the sweet spot. If you already attack legs but your success rate is inconsistent, the systematization (especially in Outside Ashi and 50/50) will make your straight footlock feel dependable.
• Advanced grapplers: The value is in refinement and decision-making—plus the top-position applications that can add a submission threat to your passing without changing your whole identity.

It’s less ideal for people who only want explosive, highlight-reel leg lock entries. This is more about making the finish inevitable than making the entry flashy.

Pros & Potential Drawbacks

Pros:

• Mechanics-first teaching that fixes real finishing problems. The focus is on alignment, pressure, and decision-making—not just a grip sequence.
• Clear distinction between finishing orientations. Belly-up vs belly-down is treated like a real choice, not an afterthought.
• Strong positional relevance (Outside Ashi + 50/50). These are the exact places most modern grapplers end up when ankle locks are on the table.
• Top-position ankle locks are a genuine bonus. This can plug into passing and guard scenarios without forcing you into a full leg-lock identity.
• System cohesion. The material feels connected across volumes, which helps you actually build a game plan instead of collecting techniques.

Potential Drawbacks:

• Not an “entries-heavy” course. If you wanted a giant library of leg lock entries from everywhere, this is more focused on making the straight footlock finish work reliably.
• 50/50 still demands patience. Even with good instruction, that position requires mat time and composure to apply under resistance.
• Some viewers may want more Gi-specific context. The concepts carry over, but the emphasis feels more universal/No-Gi-leaning in how it’s framed.

Essential Footlocks

The Straight Footlock Jake O’Driscoll DVD does what good instructionals are supposed to do: it takes something familiar, exposes why most people do it poorly, and rebuilds it into a dependable weapon. The straight footlock stops being a beginner submission and becomes a mechanical system—one you can apply from modern leg entanglements like Outside Ashi and 50/50, and even from top positions as you pass.

Key Takeaways

The Fix Your Fundamentals Submissions Jared Welman DVD is a fundamentals-first submission course that refuses to chase trends. Instead, it leans into the positions you end up in every round—mount, back control, side control, and the classic guards most gyms build around.

The premise is simple: submissions don’t need to be flashy to be reliable. They need clean mechanics, good positioning, and enough control that your opponent can’t just “wiggle out” the moment you commit.

That framing matters for anyone trying to build a functional finishing game. If you’ve ever hit the armbar position and still watched someone survive because your legs slipped, your hips drifted, or your grips were sloppy, you’re exactly who this series targets. The Fix Your Fundamentals Submissions Jared Welman DVD is meant to make your core finishes feel repeatable under pressure—not just in compliant drills.

Making Submissions Work

Fundamentals submissions are the ones you can finish when you’re tired, when grips aren’t perfect, and when your opponent is defending with intent. That’s why the Fix Your Fundamentals Submissions Jared Welman DVD sticks to classic, high-percentage finishes instead of niche variations. In practice, that usually comes down to a short list: armbars, kimuras, head-and-arm pressure, triangles, and a handful of Gi chokes that punish bad posture.

What makes them “fundamental” isn’t the move name—it’s the process: isolate the limb, win the angle, keep your base, and remove the opponent’s best defensive grips and frames. The Gi is a great teacher here, because collars and sleeves punish sloppy positioning; if you rush, your opponent literally has handles to survive.

Get those basics right and chaining becomes simple: defended collar chokes open armbars, defended armbars expose triangles, defended kimuras become controls that lead back to posture breaks. You don’t need 40 submissions—you need a handful you can repeat against real resistance.

Jared Welman – Combining Movement and Jiu-Jitsu

Jared Welman is a Brazilian Jiu-Jitsu black belt and instructor at Bernardo Faria Academy, known for pairing classic Gi fundamentals with mobility-first training. He’s also a 2nd-degree black belt in Taekwondo and has built a following around the idea that better movement quality leads to better Jiu-Jitsu—especially as athletes get older and can’t rely on pure speed.

That combination—fundamentals plus longevity-minded coaching—fits perfectly with a submissions instructional, and it’s the lens Welman uses throughout the Fix Your Fundamentals Submissions Jared Welman DVD.

Welman’s teaching style tends to favor clear positional definitions, straightforward mechanics, and small adjustments that remove the need to “muscle” finishes. If you’ve been looking for a Jared Welman BJJ instructional that keeps things practical and pressure-tested, his broader approach makes sense as a foundation for submissions.

Detailed Fix Your Fundamentals Submissions Jared Welman DVD Review

This is a four-volume set, and the organization is the real selling point. In the Fix Your Fundamentals Submissions Jared Welman DVD, that structure keeps you focused on finishes that show up in everyday rounds.

Total runtime is a little over two hours, and the chapters are broken into short, time-stamped segments. That makes it easy to study in mat-sized doses: pick one finish, drill it for a week, then come back and troubleshoot the exact chapter that matches where your attempt is breaking down (grips, angles, or control).

Volume 1 – Position And Definitions

Volume 1 starts with definitions and positioning, then builds from mount. The progression is what you’d expect from a fundamentals course: a traditional armbar, a faster named variation, and S-mount as the stabilizing pathway many beginners struggle to hold. From there, Welman addresses finishing against grips—a real Gi problem once opponents learn how to grab sleeves and collars to buy time.

The volume rounds out mount with a cross collar choke and a couple of labeled variations, then moves into familiar pressure finishes: Americana and arm triangle. It finishes by tying in upper-body control via gift wrap and a kimura grip concept, which helps connect finishing to controlling rather than treating them as separate skills. As far as mount submissions BJJ players actually hit under resistance, this is a clean, drillable baseline.

Volume 2 – Back Mount

Volume 2 is the most everyday section: back control, side control, north-south, and knee on belly. From the back, Welman covers the rear naked choke and Gi options like double collar and bow and arrow, plus an armbar to keep the theme consistent.

This is solid back control submissions material for anyone who gets the seatbelt but struggles to convert. Side control focuses heavily on armbars (far side and near side) and the classic partners to those attacks: Americana variations and the kimura.

A Canto choke chapter shows up here as well, leaning into the Gi’s ability to create finishing angles without needing explosive movement. The final stretch includes north-south and knee on belly, featuring a one-arm choke from north-south and a dedicated knee on belly armbar—two high-percentage options that reward good weight distribution.

Volume 3 – Closed Guard

Part 3 is closed guard, and it’s packed with the submissions most teams consider mandatory: cross collar choke, big wave (a named variation), arm triangle, kimura (plus variation), armbars (speed and traditional), triangle, and omoplata (plus variation). The way it’s laid out encourages simple chaining rather than complicated decision trees.

The practical takeaway for closed guard submissions is that Welman treats each finish as a posture-and-angle problem. You’re not just “throwing up a triangle”—you’re managing posture, creating the right angle, and choosing the finish that fits the reaction you get. The inclusion of a shoulder climb/lock chapter and a double armbar chapter reinforces that chaining can stay fundamental: you can layer options without turning your guard into chaos.

Volume 4 – Half Guard And Butterfly

The final piece of this DVD is a compact finishing unit for half guard and butterfly. Instead of trying to teach an entire guard system, it stays submission-focused: a kimura from half guard bottom, then Gi chokes like cross collar and loop choke. From butterfly, Welman continues with loop choke material (including a hip heist variation) and adds a shoulder crunch chapter before wrapping up.

This volume is best viewed as a supplement—useful if you routinely end up in half guard or butterfly exchanges and want a couple of reliable “threats” that force reactions. It’s not meant to replace a full half guard or butterfly curriculum, but it does give you enough to turn those scrambles into finishing opportunities, especially in the Gi.

Getting The Tap – Every Time

To get real value from the Fix Your Fundamentals Submissions Jared Welman DVD, treat it like a troubleshooting manual rather than a move-collection. Pick one position you reach constantly (mount, back, side control, or closed guard), and commit to one primary finish plus one secondary option that naturally pairs with it.

Use a simple loop: watch one chapter, drill 20–30 clean reps, then add progressive resistance (partner defends at 30%, then 60%, then “realistic but controlled”). Spend a week forcing that position in sparring, even if it means “losing the round” to get more reps. Between sessions, rewatch the exact segment and write down one or two cues you want to feel (hip angle, head position, grip placement).

If you want a quick structure: Session 1 work on mount amd grip defense. In session 2 focus on the back and side control, before moving on to the closed guard two-attack chain in session 3. Finally, session 4 is all about exploring the half guard/butterfly threat. If you train both Gi and No-Gi, prioritize the shared mechanics and treat lapel-driven chokes as Gi-only upgrades.

WATCH: FIX YOUR FUNDAMENTALS SUBMISSIONS JARED WELMAN DVD

Who Is This For?

This course is best for grapplers who want repeatable, control-first finishes—especially in the Gi. The Fix Your Fundamentals Submissions Jared Welman DVD gives beginners a clear positional roadmap, while intermediates tend to get the biggest payoff because small fixes in grip management and angle often turn“almost into tap.

It’s also useful for coaches who want a simple submissions curriculum they can assign by position, and for advanced students who like a periodic fundamentals reset.

It’s less ideal for No-Gi-only athletes (you’ll skip the lapel-driven material) or anyone hunting a modern, niche submission meta. You’ll still learn mechanics, but you won’t use every chapter.

Pros & Potential Drawbacks

No fundamentals instructional is perfect for everyone. The upside here is clarity and transferability: a small set of submissions you can sharpen for years. In the Fix Your Fundamentals Submissions Jared Welman DVD, that clarity comes from position-based organization and repeatable mechanics.

Pros:

• Curriculum-style organization by position makes it easy to study and drill with purpose.
• Strong control-first emphasis that helps remove strength dependence from your finishes.
• Broad coverage of classic submissions without turning into an overwhelming encyclopedia.
• Gi-specific options are included where they actually matter (grips, posture, collar-and-lapel finishing).
• Short, time-stamped chapters make it easy to revisit problem areas between training sessions.

Potential Drawbacks:

• The Gi emphasis is real; No-Gi-only athletes will skip some grip-dependent material.
• Half guard and butterfly content is a finishing supplement, not a full guard system.

Transform Your Submissions

The Fix Your Fundamentals Submissions Jared Welman DVD succeeds because it stays disciplined: core finishes, taught from core positions, with a control-first mindset that actually improves your conversion rate. The four-volume structure gives you a clean path through mount, back, side control, closed guard, and a compact half guard/butterfly supplement, all without drifting into trend-chasing.

Its biggest strength is clarity. You can pick one position, drill one finish, and immediately pressure-test it in sparring. The main limitation is the Gi-forward focus—perfect for collar-and-sleeve players, less essential for No-Gi-only athletes.

Key Takeaways

• A Gi closed guard system that’s all about slowing the round down and turning pressure passers into predictable, controllable problems.
• Strong emphasis on getting to the clamp from common “real life” situations: classic entries, bad spots, and even off failed attacks.
• Attacks are sweep-first, then submission-heavy: triangles, armlocks, and follow-ups that keep the top player stuck choosing between bad options.
• Best suited for guard players (and competitors) who like structured progression over endless variations.
• Rating: 8.5/10

CLAMP GUARD ENGENEERING ADAM WARDZINSKI DVD DOWNLOAD 

If you’ve ever watched Adam Wardziński compete in the Gi, you’ve probably seen that particular kind of guard control that feels unfair: the opponent looks like they’re passing… and then suddenly they’re glued in place, posture compromised, and getting tipped over by a hook sweep that barely looks like a sweep. The Clamp Guard Engineering Adam Wardzinski DVD is essentially a deep explanation of that feeling—how clamp guard sweeps and submissions work, why it’s such a reliable speed limiter, and how to use it.

The big promise here isn’t flashy innovation. It’s engineering: small mechanical priorities that make a classic guard idea hold up under modern pressure passing. Wardziński’s approach sits in a sweet spot—simple enough to repeat, structured enough to systematize, and meaningful enough to score in competition.

The Next Step in BJJ Guard Evolution

The clamp guard, broadly speaking, is one of those positions that doesn’t look like much until you feel it. It’s not open guard activity in the modern sense—there’s no constant spinning, no leg pummeling marathon. It’s more like a seatbelt for the bottom player: it limits the passer’s ability to freely posture, step out, and build passing layers.

That matters because most successful Gi guard passing today is built on rhythm. A good passer wins by stacking tiny advantages—clearing a knee line, forcing a frame to collapse, standing to break connections, then driving chest pressure. The clamp’s core value is that it interrupts that rhythm. It forces the top player to deal with a stable entanglement before they can even start “real passing.”

And once you can reliably pause the passer, you get to play the part that most guard players actually want: off-balancing into sweeps, and attacks that punish posture. If you like guard games where your best technique is keeping someone exactly where you want them, a clamp guard Gi approach is basically a permission slip to be patient, heavy, and annoying—in the best possible way.

The Always Entertaining Adam Wardziński

Adam Wardziński is a Checkmat black belt known for building a competition style around high-percentage guard control rather than highlight-reel variety. He’s often nicknamed “Megatron,” and the reputation fits: his game tends to feel mechanical, relentless, and weirdly calm while it’s dismantling you.

From a credibility standpoint, what makes him a strong instructor for this topic is the consistency of his competitive identity. Even when opponents know the general idea—hooks, posture control, slow strangulation of movement—they still get forced into the same set of losing reactions. That’s usually the sign you’re looking at a system rather than a bag of tricks.

In terms of accolades and competitive markers, Wardziński has notable results across major international circuits (including ADCC trials success and UAEJJF/IBJJF Open-level achievements). More importantly for a guard instructional, he’s someone whose A-game is clearly built around repeatable mechanics: win the connection battle first, then sweep/submit off the reactions. That’s exactly the lens Clamp Guard Engineering Adam Wardzinski DVD is trying to deliver.

Full Clamp Guard Engineering Adam Wardzinski DVD Review

The instructional is divided into four volumes that flow in a clean progression: get to the clamp reliably,  sweep and triangle from it,  layer armlocks and back takes, then connect the clamp to a Side Scissor framework that opens even more positional routes.

Volume 1 – Clamp Entries

Volume 1 is where Wardziński earns the engineering part of the title. He doesn’t treat the clamp like a random stop you happen to hit; he frames it as a position you can build toward from the situations guard players actually see every day.

You get entries from butterfly and closed guard, which is already useful because it ties the clamp to two of the most common engagement points in Gi Jiu-Jitsu. The more valuable layer, though, is the emphasis on entering from “bad” moments: when you’re losing the exchange, when something fails, or when you’re forced to recover structure under pressure.

That’s the difference between a position that works in drilling and a position that shows up in live rounds. The inclusion of clamp entries off failed submissions and even off a failed John Wayne sweep is a nice touch, because it frames the clamp as a safety net: miss an attack, don’t panic—clamp and re-stabilize.

Volume 2 – Attacks

The second part moves straight into offense, and it does it in the right order. Instead of immediately chasing submissions from a loose position, the clamp is treated like a control platform that naturally creates tipping points.

The main sweep option is introduced first, and that matters because sweeps are often the highest-percentage “proof” that your guard control is real. If you can consistently off-balance and reverse someone who’s trying to pass, your guard isn’t theoretical—it’s functional.

From there, triangles come in as the next layer, which makes sense for a clamp-based system: once posture is managed and the opponent’s reactions become predictable, triangle setups tend to appear without needing a ton of athletic repositioning. The reverse triangle options add a useful wrinkle too—because even when opponents start defending the “obvious” triangle line, the geometry of the clamp gives you alternate angles to keep them stuck in danger.

This is the part of Clamp Guard Engineering Adam Wardzinski DVD that will click fastest for competitors: sweep threat forces posture, posture creates triangle windows, triangle threat opens the next wave of attacks.

Volume 3 – Armlock Options

In part 3 it’s all about armlocks and the kind of top-player panic that armlocks create when their posture is already compromised. The simple armlock options framing is important: instead of presenting ten fancy finishes, Wardziński leans into reliable routes that come from controlling alignment first.

A straight armlock and a rolling armbar cover two different realities: one where the opponent is trying to stay square and safe, and one where the opponent is forced into motion to escape. You also get an omoplata concept section, which is valuable even if you don’t become an omoplata specialist—because it teaches you how to treat shoulder control as a positional lever, not just a submission.

The volume rounds out with a back take option, which fits the“punish reactions theme. When someone is stuck in a clamp and starts making desperate posture decisions, back exposure can show up as a byproduct of them trying to free themselves.

Volume 4 – The Side Scissor

Volume 4 is where the system expands into a related structure: the Side Scissor. This is essentially Wardziński showing how the clamp isn’t a dead-end position—it’s a connector that can shift into a new control framework with its own offensive routes.

You get multiple back take variations (including a specific look at back taking when the opponent goes to all fours), plus transitions that turn failed back takes into mount paths. That sequence matters: it shows a very competition-friendly mindset—don’t treat missed attacks as failure; treat them as steering wheels into the next dominant pin.

There’s also an armlock route off attempted back takes, and a flower sweep from the side scissor. The final “putting the clamp and side scissor together” segment is basically the summary glue: how the two positions feed each other so you can keep someone trapped in your preferred style of bottom control until you sweep, submit, or climb to a pin.

Starting to Clamp

The fastest way to make this Adam Wardzinski Clamp Guard instructional pay off is to treat it like a training block, not a binge-watch. Pick one entry route (closed guard or butterfly), then pick one “rescue” route (entries from bad positions), and build your first month around reliably finding the clamp in live rounds.

A practical training method:

• Entry-only goal. Your “win condition” is getting to the clamp and holding it for 5–10 seconds without rushing.
• Add the primary sweep. Positional spar: start in clamp, top tries to posture/pass, bottom’s only goal is the sweep.
• Introduce triangle layer. Same sparring format, but now you alternate between sweep attempts and triangle threats depending on posture.
• Choose one armlock and one transition to the side scissor. Your goal becomes chaining: clamp → attack → re-clamp or side scissor.

If you approach Clamp Guard Engineering Adam Wardzinski DVD this way, you’ll build something rare in guard training: predictability for you, unpredictability for them. You know exactly what you’re hunting. They know you’re hunting it too—and they still end up stuck dealing with the same traps.

GET HERE CLAMP GUARD ENGENEERING ADAM WARDZINSKI DVD

Who Is This For?

This is a Gi player’s instructional, first and foremost. If you spend most of your time in No-Gi, you’ll still learn ideas about connection and posture control, but the system is clearly designed for Gi realities: grip fighting, pressure passing, and the slower battle for alignment.

Belt-level wise, motivated white belts can absolutely take pieces from it—especially the core clamp mechanics and early sweep threats. That said, the people who will squeeze the most value out of this are solid blue belts through black belts, because they already understand the “why” of guard retention and can immediately plug clamp entries into existing guard frameworks.

Style fit:

• Great for guard players who like butterfly/half-butterfly style engagement, and anyone who enjoys closed guard concepts but wants a more modern, pressure-resistant structure.
• Strong for competitors who want a system that produces two-point reversals and positional climbs (mount/back) rather than living and dying by low-percentage submissions.
• Less ideal for players who prefer constant mobility guards and don’t enjoy playing a “sticky” control game.

Pros & Potential Drawbacks

Pros:

• Entry emphasis from realistic scenarios: not just perfect setups—also bad spots and failed attacks, which is where systems either work or die.
• Clear sweep-to-submission layering: the clamp becomes a control platform that forces predictable reactions, making attacks feel earned rather than forced.
• Triangle and armlock coverage complements the position: you’re not just sweeping—you’re building a full threat tree off posture control.
• Strong connector volume (clamp ↔ side scissor): helps prevent the common “cool position, now what?” problem.
• Competition-friendly decision-making: missed attacks are treated as routes to the next control point, not as resets.

Potential Drawbacks:

• Very Gi-specific: No-Gi-only athletes will get less direct application.
• Narrow focus (by design): if you’re looking for a giant “full guard encyclopedia,” this is a deep dive into one major tool, not a broad survey.
• Some value depends on mat time: the clamp is about feel—newer grapplers may need repetition before it clicks under pressure.

If It Works for Adam…

There are instructionals that try to impress you with volume, and there are instructionals that try to change the way your rounds feel. This one is the second type. The Clamp Guard Engineering Adam Wardzinski DVD delivers a structured, pressure-resistant guard control tool that naturally leads into sweeps, triangles, and armlocks—and then shows how to widen the system by connecting it to a side scissor framework.